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The sketch fashion november 27 1931 page 12
The sketch fashion november 27 1931 page 12








I made the switch to full-time illustration. I'm a Melbourne-based fashion illustrator and have been working in the fashion industry since graduating from university in the late 80's. Patsyfox | An Illustrated Fashion Blog by Angie Réhe Her work covers a broad range of subjects: she can draw anything from a couture gown to beauty items or food products.Ģ34 ⋅ 1 post / quarter Get Email Contact More 7. She uses watercolors, ink, and acrylic paint to make her drawings come to life. Her illustrations are inspired by fashion, art, it-girls, Audrey Hepburn, modern-day city life & some good coffee. annasillustrationsĪnna Wijnands is a fashion illustrator from Netherlands who loves to draw and design. Tiffani Anderson Illustration is a fashion illustration creations done by Tiffani Anderson.Ħ19 ⋅ 4 posts / quarter Get Email Contact More 6. Her illustrations, often of the female figure, use confident line, textured with feminine watercolour and contemporary digital elements.ġ.9K ⋅ 1 post / month Get Email Contact More 5. She spends her days working from either her Islington studio in London, or her home studio in Berlin. Willa Gebbie is a Scottish illustrator, working in beauty, fashion and portraiture. Willa Gebbie | London Based Fashion Illustration and Live Drawing

the sketch fashion november 27 1931 page 12

Laura Volpintesta creates and guides online fashion art and drawing courses to foster 'fashion in our own image': fashion and portfolio courses that offer an alternative to expensive, university programs by encouraging study from home.Ģ.5K ⋅ 837 ⋅ 1 post / month Get Email Contact More 4. Laura Volpintesta has been teaching since 1997 (BFA Fashion pattern/draping/sewing) and since 2000 (AAS Fashion drawing, design, portfolio). Conquering the world one fashion sketch at a time.Ģ54.5K ⋅ 32.9K ⋅ 1.2M ⋅ 1 post / week Get Email Contact More 3. Hayden Williams is a British Fashion Illustrator & Designer. Clients include Estée Lauder, Veuve Clicquot, Diptyque Paris, Christian Louboutin, La Maison du Pastel, Don Julio, Focus Features, Seedling by Grove, Harper Collins, Jaeger- LeCoultre, Noble Panacea, Google, DOVE Chocolate, Boston Ballet, and Disney, among others.ġM ⋅ 14K ⋅ 1 post / quarter Get Email Contact More 2. This alternative theory for understanding the body and the proposed method of working allows for diverse expressions and enhanced functional possibilities in dress.Katie Rodgers is an artist based in New York City & Santa Fe, New Mexico. This methodology challenges the fundamental relationship between dress, garment construction, and the body, working from the body outward, as opposed to the methods that are based on the prevalent paradigm of the tailoring matrix, which work from the outside toward the body. Instead of a static matrix of a non-moving body, the result is a kinetic construction theory of the body that is comprised of balance directions and key biomechanical points, along with an alternative draping method for dressmaking. Based on some key principles found in the works of Geneviève Sevin-Doering and in pre-tailoring methods for constructing garments, the proposed theory for – and method of – garment construction was developed through concrete experiments by cutting and draping fabrics on live models. As such, the research conducted here is basic research, aiming to identify fundamental principles for garment construction. This work proposes and explores an alternative paradigm for pattern cutting that includes a new theoretical approximation of the body as well as a more kinetic method for garment construction that, unlike the prevalent theory and its related methods, takes as its point of origin the interaction between the anisotropic fabric and the biomechanical structure of the body.

the sketch fashion november 27 1931 page 12

As a consequence, there is a lack of interactive and dynamic qualities in methods connected to this paradigm of garment construction, from both expressional and functional perspectives. Though a range of methods and concepts for pattern cutting are presented, the main body of these methods, both traditional and contemporary, is predominately based on a theoretical approximation of the body that is derived from horizontal and vertical measurements of the body in an upright position: the tailoring matrix.

the sketch fashion november 27 1931 page 12

This growth is both due to the publication of a number of works dealing with the subject in different ways and the fact that a growing number of designers emphasise cutting in their creative practices.

the sketch fashion november 27 1931 page 12

Fashion designers are presented with a range of different methods for pattern cutting, and the interest in this field has grown rapidly over the past few years.










The sketch fashion november 27 1931 page 12